Saturday, February 2, 2013

While Club Fuck was mostly underground, his aesthetic became more popular when he started a party at




James Stone, the club and party promoter responsible renaissance hotel oklahoma city for ground-breaking fetish-themed nightlife renaissance hotel oklahoma city in Los Angeles, passed away Wednesday renaissance hotel oklahoma city evening after a long battle with bladder cancer. He was 47. He is survived by his mother, sister, brother and countless friends in Los Angeles.
Born and raised in the San Gabriel Valley, Stone moved to Hollywood at age 16, in the early '80s, and got involved in the club scene soon after. The most notorious party he helped put together was called Club Fuck, and it took place in Silver Lake. The gathering broke new ground here, bringing the S&M lifestyle renaissance hotel oklahoma city into the open and helping to popularize it within a club environment renaissance hotel oklahoma city -- both in L.A. and around the country.
But the reach of his events were wide: Everyone got involved, from the piercing renaissance hotel oklahoma city and tattooing world, purveyors of the modern renaissance hotel oklahoma city primitive aesthetic, the gay scene from butch to femme, the transgendered community, punks and goths, burlesque aficionados, and the acid house/trance music euphoria coming out of Europe. They all meshed together, well before their interests became typical at nightclubs.
While Club Fuck was mostly underground, his aesthetic became more popular when he started a party at higher-profile venue Sin-a-matic, at Peanuts/7969. (It later become Voyeur). As a DJ, Stone brought rave-style trance renaissance hotel oklahoma city and hard electro to a new crowd, melding it with industrial sounds in a way that hadn't been done before. When Stone joined forces with nightlife icon/DJ Joseph renaissance hotel oklahoma city Brooks renaissance hotel oklahoma city for the erotic renaissance hotel oklahoma city extravaganza known as the L.A. Fetish Ball, the latex and corset set finally had a major place to congregate and celebrate. Often these events would correspond with holidays like Halloween or New Years Eve, and feature acts like The Cramps or Nina Hagen. The Ball always sold out.
Later, Stone's Man-o-rama nights, co-promoted by Tom of Finland, brought him back to a more traditional gay scene, but they were no less art-driven or multifaceted. Stone's flair for the theatrical helped bring exposure to a variety of unique performers, many who went on to achieve great success, including Dita Von Teese and renowned performance artist Ron Athey.

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